{"id":54577,"date":"2021-07-05T10:00:05","date_gmt":"2021-07-05T01:00:05","guid":{"rendered":"https:\/\/home.ueno.kokosil.net\/?p=54577"},"modified":"2021-06-30T07:41:00","modified_gmt":"2021-06-29T22:41:00","slug":"tokyo-national-museum-report-on-the-special-exhibition-national-treasure-shorinji-eleven-faced-kannon-mt-miwa-faith-mihotoke-first-released-in-tokyo-the-appearance-of-eleven-faced-kannon-to-en","status":"publish","type":"post","link":"https:\/\/home.ueno.kokosil.net\/en\/archives\/54577","title":{"rendered":"[Tokyo National Museum] Report on the special exhibition “National Treasure Shorinji Eleven-faced Kannon-Mt. Miwa Faith Mihotoke” first released in Tokyo! The appearance of eleven-faced Kannon to enjoy at 360 degrees"},"content":{"rendered":"
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From June 22nd (Tuesday) to September 12th (Sunday), 2021, a special exhibition "National Treasure Seirinji Eleven-faced Kannon-Miwayama Faith Mihotoke"<\/strong> is being held at the Tokyo National Museum in Ueno, Tokyo. is.<\/p>\n

This exhibition attracts attention as the national treasure "Eleven-faced Guanyin Bodhisattva Statue", which is said to be the masterpiece of Japanese sculpture due to its exceptional beauty, is exhibited outside Nara Prefecture for the first time in history. Since I participated in the press preview, I will report on the situation at the venue. <\/p>\n

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Exhibition view National treasure "Eleven-faced Kannon Bodhisattva statue" Nara period, 8th century Nara, Shorinji collection<\/p><\/div>\n

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Buddha statues related to Oomiwa Shrine reunited for the first time in about 150 years!<\/span><\/strong><\/h2>\n

The national treasure "Eleven-faced Kannon Bosatsu Statue", which is the main character of this exhibition, is owned by Shorinji Temple in Sakurai City, Nara Prefecture, but until the Edo period, it was enshrined at Oomiwa Shrine<\/strong> in the same city, not at Shorinji Temple. Did you know that it was done?<\/p>\n

Oomiwa Shrine with Mt. Miwa as the deity that conveys the ancient Japanese belief in nature to the present day. In the Nara period, the introduction of Buddhism promoted Shinto-Buddhist training, and Oomiwa-ji Temple (renamed to Oomiwa-ji Temple in the Kamakura period) was built in the precincts of Oomiwa Shrine, and many Buddhist statues are now enshrined.<\/p>\n

However, when the Meiji government's Shinbutsu bunri decree caused a wave of abolition of Buddha, Daimiwaji became an abandoned temple. Buddha statues are also forced to move to nearby temples such as Shorinji Temple, which they have a close relationship with.<\/p>\n

This exhibition includes the national treasure "Eleven-faced Kannon Bodhisattva statue", the national treasure "Jizo Bodhisattva statue" (Horyuji temple collection), "Nikko Bodhisattva statue" and "Moonlight Bodhisattva statue" (both are Shokei temple collection). The Buddhist statues enshrined at Rinji are exhibited together in the form of reunion for the first time in about 150 years.<\/strong>
\n At the same time, we will introduce materials that tell the story of the natural beliefs of Oomiwa Shrine and ancient rituals, as well as excavated items from the Mt. Miwa forbidden land. <\/p>\n

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Exhibition view << Mt. Miwa picture >> Muromachi period, 16th century Nara, Oomiwa Shrine collection * Exhibition until August 1st<\/p><\/div>\n

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Exhibition scenery Important cultural property "Zhu lacquer gold bronze shield" Kamakura period, Kagen 3rd year (1305) Nara, Oomiwa Shrine collection<\/p><\/div>\n

Eleven-faced Kannon to enjoy 360 degrees from various angles<\/span><\/strong> <\/h2>\n
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Exhibition view National treasure "Eleven-faced Kannon Bodhisattva statue" Nara period, 8th century Nara, Shorinji collection<\/p><\/div>\n

The national treasure "Eleven-faced Kannon Bodhisattva Statue" is settled in the center in a clean atmosphere. Behind the statue is a reproduction of the three torii gates of Oomiwa Shrine. It is not the main shrine that continues from the torii gate, but Mt. Miwa, which visually conveys the form of natural beliefs at Oomiwa Shrine. <\/p>\n

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National Treasure "Eleven-faced Kannon Bodhisattva Statue" (part) Nara period, 8th century Nara, Shorinji collection<\/p><\/div>\n

Eleven-faced Kannon, as the name implies, has 11 faces.
\n In India, the number "10", which means all directions, is combined with the main body surface to make 11 faces, but in Japan, the main body face + 11 faces is common. The national treasure "Eleven-faced Kannon Bodhisattva Statue" is also the latter.<\/p>\n

The 11 faces of the crown overlooking all directions have individuality, and the 3 front faces are the "Bodhisattva face" with a gentle expression. The "shinnu side" looks like an angry face on the left side (right side when facing the front) when viewed from the statue. The right side (left side when facing the front) when viewed from the statue is the "gejoshutsu side" where the fangs are exposed. "Laughing face" with a big laugh on the back side. And it is the "top Buddha face" in the center. <\/p>\n

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National Treasure "Eleven-faced Kannon Bodhisattva Statue" (part) Nara period, 8th century Nara, Shorinji collection<\/p><\/div>\n

The current national treasure "Eleven-faced Kannon Bodhisattva Statue" has lost three sides. Therefore, unfortunately, it is not possible to check only the "laughing face", but since the venue is arranged so that you can watch it from anywhere in the front, back, left and right, it is a nice point to enjoy all the existing faces with the naked eye. <\/p>\n

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National Treasure "Eleven-faced Kannon Bodhisattva Statue" (part) Nara period, 8th century Nara, Shorinji collection<\/p><\/div>\n

Most of the pre-modern Buddhist statues that exist in Japan are made of wood, but in the Nara period and around the latter half of the 8th century, a technique called dry lacquer was used for production. This statue is also one of those made by "Kishin dry lacquer ware", which is made by molding lacquer and wood powder kneaded material called Kokuso lacquer on the wood core.<\/p>\n

Wooden lacquer is said to be suitable for realistic expression because it is made by raising lacquer instead of scraping it. In this statue, the loose curves of the folds of the heavenly garment that seem to be covered with wind, the tension of the flesh, the undulations of the eyelids that make you feel the presence of the eyeballs, and the orderly appearance of the hairline are expressions unique to wooden lacquer Is the highlight. <\/p>\n

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National Treasure "Eleven-faced Kannon Bodhisattva Statue" Nara period, 8th century Nara, Shorinji warehouse<\/p><\/div>\n

From the side, you can see the slender proportions of 8 life, the thickness of the chest, and how to place the center of gravity. The posture with the head of a solemn face slightly forward seems to be trying to capture the appearance of people firmly. <\/p>\n

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National Treasure "Eleven-faced Kannon Bodhisattva Statue" Nara period, 8th century Nara, Shorinji warehouse<\/p><\/div>\n

The rear view is a gem of beauty, not to mention the smoothness of the back, but especially the graceful appearance that the curve of the clothes from the waist to the legs is fascinating is a must-see. The contrast between the gold leaf that has been peeled off in places and the glossy black color of the ground creates a shadow with an atmosphere. <\/p>\n

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National Treasure "Eleven-faced Kannon Bodhisattva Statue" (part) Nara period, 8th century Nara, Shorinji collection<\/p><\/div>\n

If you look closely at the details, you will also be fascinated by the gentleness of the fingers of your left hand holding the treasure bottle and your right hand lowered. The pedestal with a lotus flower motif also has the gorgeousness of Tenpyo art. It makes me realize that the reputation of being "the masterpiece of Japanese art" is not an exaggeration. <\/p>\n

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National Treasure << Eleven-faced Kannon Bodhisattva Statue Aureola Remnants >> Nara Period, 8th Century Nara, Shorinji Collection<\/p><\/div>\n

In addition, a halo that visually expresses the halo of the gods and Buddha is also on display. Nowadays, most of it is lost except for the shaft part, but it is speculated that it was originally a halo that engraves a triple sphere and arabesque. The splendor of the past days is remembered.<\/p>\n

Introducing other exhibited works<\/strong><\/span> <\/h2>\n
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National Treasure "Jizo Bodhisattva Statue" Heian period, 9th century Nara, Horyuji warehouse<\/p><\/div>\n

The national treasure "Jizo Bosatsu Statue", which was once placed next to the eleven-faced Kannon at Omiwaji Temple, is a Buddhist statue carved from a single piece of wood except for the hands of both hands. The thick body is full of realism, as if a single tree were standing there. <\/p>\n

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"Moonlight Bodhisattva statue" on the left "Nikko Bosatsu statue" on the right Both Heian period, 10th to 11th centuries Nara, Shoryakuji temple<\/p><\/div>\n

The "Nikko Bosatsu Statue" and "Moonlight Bosatsu Statue" look exactly like each other, but it is interesting that the materials, structural techniques, and styles are different, and it seems that they were not originally one tool. The Nikko Bodhisattva has a large nose, and the Moonlight Bodhisattva has a long and gentle expression, and the area around the chin looks refreshing. <\/p>\n

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Exhibition view << Yamanokami Heritage Excavated Items >> Excavated from Yamanokami Heritage, Sakurai City, Nara Prefecture Kofun period, 5th-6th centuries Tokyo National Museum collection, etc.<\/p><\/div>\n

In this exhibition, the ones excavated at Mt. Miwa Forbidden Land and Yamanokami Heritage are also exhibited, but most of them are imitations in the shape of tools used for some kind of ritual. The most eye-catching are the stone products and earthenware that are shaped like the utensils related to sake brewing.
\n It was interesting to see that the brewing beliefs of Oomiwa Shrine, which remains to this day, can be traced back to the Kofun period from the existence of excavated items, assuming that Omononushi, the deity of Oomiwa Shrine, is the god of sake. .. <\/p>\n

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"Japanese Art Tobira" entrance<\/p><\/div>\n

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Part of the huge screen of "Japanese Art Tobira"<\/p><\/div>\n

The special exhibition "National Treasure Shorinji Eleven-faced Kannon-Mt. Miwa Faith Mihotoke" will be held until September 12, 2021 (Sun).<\/p>\n

At the same time as the opening of this exhibition, a new permanent experience exhibition called "Japanese Art Tobira" was released in the special 3 rooms of the main building of the Tokyo National Museum.<\/strong> If you move your hand in front of a huge screen where you can learn about the history of Japanese art, you can experience interactive experiences such as rotating the displayed pop-up of Japanese art and turning pages. You can also appreciate masterpieces such as "Wind" and "Flowering Plants of Summer".<\/p>\n

Advance reservations are required, but you can enter it as it is with the admission fee for the special exhibition, so why not take a tour together?<\/p>\n

Outline of the special exhibition "National Treasure Shorinji Eleven-faced Kannon-Mt. Miwa Faith Mihotoke"<\/strong>
\n * This exhibition requires advance reservations (reserved-seat tickets). Please check the official exhibition website for details. <\/p>\n\n\n\n\n\n\n\n\n\n
Session<\/td>\n June 22nd (Tuesday) -September 12th (Sunday), 2021<\/td>\n<\/tr>\n
Venue<\/td>\n Tokyo National Museum Main Building Special 5 Rooms<\/td>\n<\/tr>\n
Opening hours<\/td>\n 9:30 am to 5:00 pm<\/td>\n<\/tr>\n
closing day<\/td>\n Monday (However, it will be open on August 9th)<\/td>\n<\/tr>\n
Admission fee<\/td>\n Advance reserved-seat ticket General 1,400 yen, college students 700 yen, high school students 400 yen, junior high school students and younger free<\/p>\n

For other details, please visit the official exhibition website \u21d2 https:\/\/tsumugu.yomiuri.co.jp\/shorinji2020\/tickets.html<\/a><\/td>\n<\/tr>\n

Organizer<\/td>\n Tokyo National Museum, Yomiuri Shimbun, Agency for Cultural Affairs, Japan Arts Council<\/td>\n<\/tr>\n
Exhibition official website<\/td>\n https:\/\/tsumugu.yomiuri.co.jp\/shorinji2020\/<\/a> <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
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<\/p>\n","protected":false},"excerpt":{"rendered":"

From June 22nd (Tuesday) to September 12th (Sunday), 2021, a special exhibition "National Treasure Seirinji Eleven-faced Kannon-Miwayama Faith Mihotoke" is being held at the Tokyo National Museum in Ueno, Tokyo. is. This exhibition attracts attention as the national treasure "Eleven-faced Guanyin Bodhisattva Statue", which is said to be the masterpiece of Japanese sculpture due to its exceptional beauty, is exhibited outside Nara Prefecture for the first time in history. Since I participated in the press preview, I will report on the situation at the venue. Buddha statues related to Oomiwa Shrine reunited for the first time in about 150 years! The national treasure "Eleven-faced Kannon Bosatsu Statue", which is the…<\/a><\/p>\n","protected":false},"author":19,"featured_media":54390,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,33],"tags":[],"class_list":["post-54577","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en","category-report-en","content-print"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t