{"id":58803,"date":"2021-11-27T01:04:00","date_gmt":"2021-11-27T01:04:00","guid":{"rendered":"https:\/\/home.ueno.kokosil.net\/?p=58803"},"modified":"2021-11-27T01:04:13","modified_gmt":"2021-11-26T16:04:13","slug":"%e6%9d%b1%e4%ba%ac%e9%83%bd%e7%be%8e%e8%a1%93%e9%a4%a8%e3%81%a7%e5%90%8c%e6%99%82%e9%96%8b%e5%82%ac%e4%b8%ad%ef%bc%81%e4%b8%8a%e9%87%8e%e3%82%a2%e3%83%bc%e3%83%86%e3%82%a3%e3%82%b9%e3%83%88%e3%83%97","status":"publish","type":"post","link":"https:\/\/home.ueno.kokosil.net\/en\/archives\/58803","title":{"rendered":"Currently being held at the Tokyo Metropolitan Art Museum at the same time! Ueno Artist Project 2021 “Everyday Life: I’m Reborn” and “Records and Memories of Followed by the Tokyo Collection”"},"content":{"rendered":"

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\nAt the Tokyo Metropolitan Art Museum in Ueno, Tokyo, from Wednesday, November 17, 2021 to Thursday, January 6, 2022, Ueno Artist Project 2021 “Everyday Life: I am Reborn” < \/ strong> and “Records and memories of traced in the Tokyo Collection” <\/ strong> are being held.<\/p>\n

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Ask again about “living every day”. “Everyday Life: I’m Reborn” <\/ strong> <\/ span> <\/ h2><\/p>\n

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“Ueno Artist Project” <\/ strong> is an exhibition series that started in 2017 in order to inherit the history of the Tokyo Metropolitan Art Museum, which is also called the “hometown of open call exhibitions”, and to develop it into the future. .. Each year, we set up a different theme to introduce artists who are active in the open call exhibition.<\/p>\n

In this fifth installment, “Everyday Life: I’m Reborn” <\/ strong>, we’ll cover six female tablets from prewar to modern times under the theme of “Everyday Life.”<\/p>\n

The scenery and things that you encounter in your daily life, and their memories. The writers have created a variety of expressions, starting from such an eye on something that is right next to them.<\/p>\n

Three deceased writers who have been active in pre-war and post-war art groups and have faced themselves and society through things around them, and whether to pick up various “raw” fragments buried around them, retain them, and regenerate them. The works and way of life of the three active writers who work on such production acts must give us an opportunity to re-question “living every day”.<\/p>\n

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\u25c6 Exhibiting artists (in alphabetical order) <\/ strong><\/p>\n

\u30fb Yuki Katsura (Yuki Katsura \/ 1913-199 \/ Member of Nika Association, Founding member of Women’s Painters Association)
\n\u30fb Sayaka Kawamura (Sayaka Kawamura \/ 1989- \/ Associate Member of Japan Print Association)
\n\u30fb Yoko Takada (Yoko Kida \/ 1949- \/ Japan Fine Arts Exhibition, main member of the Association of Contemporary Craft Artists)
\n\u30fb Runa Kosogawa (Do not sneak \/ 1978-)
\n\u30fb Toyoko Tokiwa (Toyoko Tokiwa \/ 1928\u208b2019 \/ Member of Japan Professional Photographers Society, Chairman of Kanagawa Photographers Association, etc.)
\n\u30fb Maruki Suma (Maruki Suma \/ 1875-1956 \/ Member of the Women’s Painters Association, a friend of the Nihon Bijutsuin)<\/p>\n

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\u25c6 Highlights of the exhibition <\/ strong><\/p>\n

1. The success of female writers in art groups <\/ span><\/p>\n

Yuki Katsura <\/ strong>, who belonged to the Nika Association before the war and participated in the founding of the Women’s Painters Association after the war, and Toyoko Tokiwa, who led the local photographer group until the end of the war. \/ strong, paying attention to the three deceased writers of Yuki Katsura <\/ strong> who presented their works at the Women’s Painters Association Exhibition and the Institute Exhibition after the age of 75 in the 1950s, women in prewar and postwar art groups. Looking back on the activities of the writer. Works that were once presented at the Nika and Institute exhibitions, such as Yuki Katsura’s “Sunflower Blooming Afternoon” and Maruki Suma’s “Kanzashi”, will be re-exhibited at the Tokyo Metropolitan Art Museum.<\/p>\n

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2. First exhibition at the museum <\/ span><\/p>\n

Woodblock prints by Sayaka Kawamura <\/ strong>, Tsugaru Kogin-zashi by Yoko Takada <\/ strong>, and glass works by Rina Kosogawa <\/ strong>, who are still active in art groups. The works of the three active artists, including new works and works that have been released for the first time in Japan, will be the first opportunity to introduce a collection of scores at the museum.<\/p>\n

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3. Pursuit of expression with various materials and techniques <\/ span><\/p>\n

This exhibition will feature a wide variety of works made using different materials and techniques such as Tsugaru Kogin-zashi, collages, photographs, glass, woodblock prints, crayons and watercolors, and ink. Please pay attention to what kind of thoughts the artists have about the materials and techniques, and how they have pursued their own expressions by making the best use of their characteristics.<\/p>\n

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\u25c6 Examples of exhibited works <\/ strong><\/p>\n

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Yuki Katsura \u300aSunflower Blooming Afternoon\u300b 1948 Oil on canvas, Museum of Modern Art, Ibaraki [\/ caption] ]<\/p>\n

Yoko Takada \u300aDancing in the Hometown \/ That Time\u300b 2018 Thread, Azabu (Tsugaru Kogin-zashi) Writer Kura [\/ caption]<\/p>\n

Toyoko Tokiwa << To the Butterfly at Night >> 1956 Gelatin Silver Print Museum of Yokohama Urban History [\/ caption]<\/p>\n

Rina Osogawa \u300aReading the Life\u300b 2019 Glass, Lampwork, Usu Writer’s Collection (Reference work) ) [\/ Caption]<\/p>\n

Maruki Suma << Kanzashi >> 1955 Ink-colored, paper (two songs, one folding screen) Atomic bomb figure Maruki Gallery for the Hiroshima [\/ caption]<\/p>\n

Sayaka Kawamura \u300amundanedays \u2162\u300b 2017 water-based woodblock, Japanese paper writer’s collection [\/ caption]<\/p>\n

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\u25c6 Exhibition Basic Information <\/ strong><\/p>\n

Exhibition name: Ueno Artist Project 2021 “Everyday Life: I am reborn”
\nDate: November 17, 2021 (Wednesday) -January 6, 2022 (Thursday)
\nVenue: Tokyo Metropolitan Art Museum Gallery A \/ C
\nClosed days: December 6, 2021 (Monday), December 20 (Monday) -January 3, 2022 (Monday)
\nOpening hours: 9: 30-17: 30 (Enter 30 minutes before closing)
\nAdmission fee: General 500 yen \/ 65 years old and over 300 yen
\n* Free for students and younger
\n* Free for those who have a physical disability certificate, love certificate, nursing certificate, mental disability health and welfare certificate, and A-bomb survivor health certificate and their attendants (up to 1 person).
\n* You can see it without prior reservation. However, admission may be restricted during times of congestion.
\nFor details, please check the official website of the exhibition.<\/p>\n

Organizer: Tokyo Metropolitan Foundation for History and Culture Tokyo Metropolitan Art Museum
\nExhibition official website: https:\/\/www.tobikan.jp\/exhibition\/2021_uenoartistproject.html <\/a>
\nContact: Tokyo Metropolitan Art Museum 03-3823-6921<\/p>\n

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The charm of that attracted the artists. “Records and memories of traced in the Tokyo collection” <\/ strong> <\/ span> <\/ h2>
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While it is popular as a cultural area where art galleries, museums and zoos gather in and around Ueno Onshi Park, Ameyoko, where retail stores and restaurants are crowded, is also synonymous with the land called . A wide variety of people from the past to the present have come and gone in this place, which has become the stage of various history, and many works and records have been produced on this subject.<\/p>\n

In “Records and Memories of Traced by the Tokyo Collection” <\/ strong>, about 60 works and materials related to are exhibited from the art collection held by Tokyo. increase. Please rediscover the charm of that attracted the artists, and spend a time thinking about what happened here and the people who existed here. When you leave the museum, you will see a different landscape in your eyes.<\/p>\n

May spread forward.<\/p>\n

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\u25c6 Highlights of the exhibition <\/ strong><\/p>\n

1. Modern <\/ span> recorded and conveyed in prints.<\/p>\n

Ukiyo-e that captures historical events such as the Boshin War and the domestic business expo in the Meiji era, Kazuma Oda’s stone prints, Koshiro Onchi, Unichi Hiratsuka, and Shizuo Fujimori’s creative prints are recorded and conveyed through the media of prints. You will follow the appearance of the modern “Ueno” that was created.<\/p>\n

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Haruaki Nagashima << Ueno Park Balloons >> 1890 Edo-Tokyo Museum Collection [\/ caption]<\/p>\n

Kazuma Oda \u300aTokyo Landscape 14 Ueno Hirokoji\u300b 1916 Tokyo Edo Tokyo Museum Collection [\/ caption]<\/p>\n

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2. Pre-war and post-war <\/ span> recorded and drawn by various artists.<\/p>\n

Pre-war and post-war photographed by Kineo Kuwabara, Hiroshi Hamaya, Ihei Kimura, Tadahiko Hayashi and others. After the end of the war, the figure of people sleeping in the underpass of Ueno Station drawn by the painter Teruo Sato. In addition, through the photographs of Tomoko Yoneda, whose theme is prewar and wartime intelligence activities, we will reconsider the disappearing memories of “War and “.<\/p>\n

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Kineo Kuwabara \u300aUeno Station, Shitaya-ku (Taito-ku)\u300b 1936 Tokyo Metropolitan Museum of Photography [\/ caption]<\/p>\n

Tadahiko Hayashi << Repatriation (Ueno Station) >> 1946 Tokyo Metropolitan Museum of Photography Collection [\/ caption] ]<\/p>\n

Tomoko Yoneda” Tokyo Metropolitan Art Museum (Zolge \/ Miyagi)-“Parallel Life: Zolge From “Centered International Intelligence Group Secret Meeting Place” >> 2008 Tokyo Metropolitan Art Museum Collection Courtesy of ShugoArts [\/ caption]<\/p>\n

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\u25c6 Exhibition Basic Information <\/ strong><\/p>\n

Exhibition name: Records and memories of traced by the Tokyo Collection
\nDate: November 17, 2021 (Wednesday) -January 6, 2022 (Thursday)
\nVenue: Tokyo Metropolitan Art Museum Gallery B
\nClosed days: December 6, 2021 (Monday), December 20 (Monday) -January 3, 2022 (Monday)
\nOpening hours: 9: 30-17: 30 (Enter 30 minutes before closing)
\nAdmission fee: Free
\nOrganizer: Tokyo Metropolitan Foundation for History and Culture Tokyo Metropolitan Art Museum
\nCollaboration: Tokyo Metropolitan Foundation for History and Culture Tokyo Metropolitan Edo Tokyo Museum, Tokyo Metropolitan Museum of Photography, Museum of Contemporary Art Tokyo
\nExhibition official website: https:\/\/www.tobikan.jp\/exhibition\/2021_collection.html <\/a>
\nContact: Tokyo Metropolitan Art Museum 03-3823-6921<\/p>\n

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& nbsp; At the Tokyo Metropolitan Art Museum in Ueno, Tokyo, from Wednesday, November 17, 2021 to Thursday, January 6, 2022, Ueno Artist Project 2021 “Everyday Life: I am Reborn” < \/ strong> and “Records and memories of traced in the Tokyo Collection” are being held. & nbsp; & nbsp; Ask again about “living every day”. “Everyday Life: I’m Reborn” & nbsp; & nbsp; “Ueno Artist Project” is an exhibition series that started in 2017 in order to inherit the history of the Tokyo Metropolitan Art Museum, which is also called the “hometown of open call exhibitions”, and to develop it into the future. .. Each year, we set up…<\/a><\/p>\n","protected":false},"author":19,"featured_media":58795,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-58803","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en","content-print"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t